Principles of the Moving Image
ESSAY 3: DUE MAY 13th
Requirements- 10 pages, double-spaced, 12 point Times New Roman font.
- Due 3/25/08: One-page topic proposal.
- Due 4/01/08: Essay 3 outline.
- Due 4/8/08: Bibliography. Minimum of 7 sources in APA style.
- Due 4/17/08: Bring a complete rough draft to the in-class writing workshop. Please bring TWO hard copies of your essay.
- Include images and/or transcriptions of the film you are analyzing.
- ESSAY TOPIC: Compare and contrast film styles.
Select ONE technical aspect. (Select a bullet point from below.)
Cinematography:
- Photography: lighting, lighting key, color value & film stock
- Framing: camera shots, angles, focus & depth of field
- Composition: dominant, subsidiary contrasts, depth, density
- Proxemics: camera & character proximity, character placement, staging
- Narrative kinetics – psychological, stylistic or symbolic movement)
- Camera movement – handheld, tracking, pan, dolly, tilt, zoom, crane, aerial
- Mech. distortion – slow/fast motion, time lapse, animation, single frame
- Cutting to continuity
- Thematic montage
- Classical editing
- How was the technique developed? Discuss why/how it evolved.
- Is this technique closely connected to another technique?
- Why is the technique important to the development of movies?
- How is the technique used to create meaning? Give classic and alt uses.
- What responses does the technique evoke in the viewer?
- Is the technique associated with specific movements, authors or styles?
- Compare and contrast the technique as it appears in 2 films.
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